Bytes that get stuck in your teeth.
I’m over 100 days into my black & white a day project.
I inevitably end up shooting around the house and neighbourhood most days. This is forcing me to find novel perspectives on things I regularly pass. It’s also making me appreciate the different light over the course of the day.
Love that Fuji decided to jam that 100S sensor into a rangefinder form factor.
This new camera is getting linked all over the place. I like the minimalist industrial design.
Loads of internal storage instead of SD cards makes sense.
YouTube has so many interviews with great photographers these days.
I’m taking on a 365 photo challenge this year: capturing at least one black and white photo each day and adding it to my journal.
I’ve been giving Photomator a try for photo post-processing and it’s great.
I enjoy having the masking, healing, and rich editing features of Lightroom1 in software that works natively with my Apple Photos library2.
My photo book tour continues with Australian Lustre.
Reading it transports me to every country town I’ve ever visited.
I enjoyed the juxtaposition of big things and suburbia the most.
I’m working on reading more photography books.
So, yesterday, I grabbed Colin Greenwood’s How to Disappear while I was out and about1.
My favourite iPhone 16 pro camera feature, after upgrading from the 14 pro, is the ability to apply portrait mode after I’ve taken a photo.
The side-by-side comparison between a standard M and the redesign is fascinating.
Looks like Fuji continues to improve the autofocus and in-body image stabilization on these larger sensor cameras.
I love my GFX100S but this review is triggering upgrade vibes in me.
I’m chuffed to see Leica are still rolling out firmware updates to the Q2.
The GPS accuracy was something I was hoping they’d improve, so I’m keen to see how this update addresses it.
Some incredible work.
(via Kottke)
The latest version of Photoshop Beta now includes a feature called generative fill.
I can imagine it’s easy to compromise the authenticity in your photography if you overuse these kinds of tools. With that said, and I know it’s potentially a slippery slide, there are situations where they can be incredibly useful.
Years of rumours come to an end. It looks like a nice improvement over the Q2.
Folks seem down on the tiltable screen. I find that to be pretty useful feature on my GFX 100S so I reckon I’d dig it.
Leica’s industrial design is still number one in my book1 but it’s always fun to see new interpretations and approaches to camera design.
The L16 replaces one big lens with 16 small ones and combines the images via software.
The old clustering of commodity hardware with software approach keeps on popping up in different contexts.
Recreating shots from films.