I finished my black and white photo a day in 2025 project yesterday.

I only had one close call when I forgot to take a photo but still managed to find one on my phone camera roll that I could use.

I’m over 100 days into my black & white a day project.

I inevitably end up shooting around the house and neighbourhood most days. This is forcing me to find novel perspectives on things I regularly pass. It’s also making me appreciate the different light over the course of the day.

I’m taking on a 365 photo challenge this year: capturing at least one black and white photo each day and adding it to my journal.

I’ve been giving Photomator a try for photo post-processing and it’s great.

I enjoy having the masking, healing, and rich editing features of Lightroom¹ in software that works natively with my Apple Photos library².

My photo book tour continues with Australian Lustre.

Reading it transports me to every country town I’ve ever visited.

I enjoyed the juxtaposition of big things and suburbia the most.

I’m working on reading more photography books.

So, yesterday, I grabbed Colin Greenwood’s How to Disappear while I was out and about¹.

The latest version of Photoshop Beta now includes a feature called generative fill.

I can imagine it’s easy to compromise the authenticity in your photography if you overuse these kinds of tools. With that said, and I know it’s potentially a slippery slide, there are situations where they can be incredibly useful.